Vanessa Bayer’s Jacob the Bar Mitzvah Boy has been a regular character on SNL’s Weekend Update for quite some time now, so it was about time for us meet the family of everyone’s favorite awkward, overly prepared Jewish kid. Coinciding with the end of Passover, the show brought the great Billy Crystal onto the show as Jacob’s equally awkward father.
SNL is always so good at creating eerily realistic fake advertisements for products that will never, ever exist unless humanity truly goes insane, and the show’s Depend Legends sketch is no exception. There is no way anyone is every going to want to own adult diapers that have images of famous figures from history and popular culture printed on them, but this ad makes that reality feel a little too real.
The early estimates for the opening weekend gross of Furious 7 are all over the place and we probably won’t have a definitive number until tomorrow, when the dust finally settles and everyone gets a chance to breathe. However, this one thing we know for sure: the seventh film in the Fast and Furious series didn’t just shatter in-franchise records, it shattered records for any April release.
Mike O’Brien is one of SNL’s greatest secret weapons, a writer and performer whose truly unique voice shines through the show’s usual template. When he’s given total control of a digital short, it’s a genuine cause for celebration. His work feels less like just another sketch or parody, but more like an actual, full-fledged short film escaped into the show’s line-up.
Since The Walking Dead just ended its fifth season and it’s still one of the biggest shows in the history of television, it makes sense that SNL would pause to talk about it. After all, what good is the “Weekend Update” segment if the anchors don’t occasionally stop to talk about what’s big in popular culture? And what good is SNL if it can’t get one of the most popular actors from The Walking Dead to stop by for a minute-long cameo?
Most of the time, the SNL opening monologue is a formality and a tradition, a road bump on the way to the actual good parts of an episode. It feels like something the guest host does because he has to, not because anyone on the writing staff actually had a good idea. And that’s why last night’s monologue was such a joyous surprise: it was not only the best monologue of the season, but the best sketch of the whole night.
It was inevitable: Disney is making a live action Winnie the Pooh movie because of course Disney would make a live action Winnie the Pooh movie. The studio’s tactic of bringing their animated properties into the live action realm has already paid off with Alice in Wonderland, Maleficent and Cinderella, so why not pay another visit to the Hundred Acre Wood and let a live action Christopher Robin hang out with a CGI Piglet?
It’s an SNL sketch premise so silly that it feels like it belongs in the early ’90s, not 2015. Taking place in the distant future, the scene asks us to believe that chickens have evolved to be more intelligent than humans and that a chicken could command a spaceship of human beings and, most importantly, that a crew member played by guest host Chris Hemsworth would fall in love with the chicken.
The internet will never stop arguing about when it is okay to show films with explicit content to children. But, there is one thing that we’re pretty sure everyone can agree on: showing the violent and disturbing The ABCs of Death to five classes of unsuspecting students is an act of irresponsible idiocy on just about every conceivable level. Columbus, Ohio substitute teacher Sheila Kearns was rightfully let go from her job back in 2013 when she screened the film for her substitute Spanish classes, but the courts have handed down an additional punishment: 90 days in jail.
Even when it’s at its best, modern SNL is rarely shocking. Funny, strange, silly and clever, sure. But shocking? Nah. The show doesn’t seem to set out to offend every week. So when the show broke out a fake commercial that depicted 50 Shades of Grey star and guest host Dakota Johnson joining the radical terrorist group ISIS, jaws rightfully hit the ground. Who approved this? And could they start approving more sketches?
With Dakota Johnson guest hosting, last night’s SNL had no shortage of 50 Shades of Grey jokes. For her part, Johnson seemed equally bemused and embarrassed by her controversial new hit, rolling with whatever the show threw at her and always coming out looking far better than her naysayers expected. Her ability to make fun of herself and the film that has turned her into an overnight movie star really came together in the only sketch of the night that required her to play herself.
Modern SNL has one of the strongest female line-ups in the show’s history, so it’s always a pleasure when the writers give this group of extremely funny ladies a chance to shine together. This sketch is a weird one because it feels like such an odd and specific concept that must have been a real pain in the butt to pitch in the writer’s room, but the execution is simply sublime: a group of women start being brutally honest with the people in their lives and immediately celebrate to the impossibly catchy sounds of Sara Bareilles’ “Brave.”
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